Movement that represents an action abstractlynot mime.
accumulation is a choreographic device or structure in which new movements are successively added to preexisting movements, as in A, AB, ABC, and ABCD.
air pathway: a body part-created pattern in the air (for example, arm, leg, head).
American postmodern dance is a style of contemporary dance that first appeared in the 1960s and is characterized by choreographers’ experimentation with ideas and styles that go against established dance conventions.
A piece of art created by artistic endeavor (for example, a haka, ballet, hip- hop performance).
A shape made by a dancer or dancers that lacks a line of reflection is said to be asymmetrical (mirror line).
A choreographic technique known as “augmentation” enlarges motions in both space and time.
Body awareness is a component of dance that focuses on the body’s forms, base, parts, and locomotor and non-locomotor motions.
The area of the body that keeps a dancer balanced is known as the body basis (such as two feet, or one hand and one foot).
the head, fingers, ankles, elbows, knees, shoulders, toes, and wrists are among the body parts.
Body percussion is the skill of creating sounds using the body (e.g., foot stamping, thigh slapping)
Butoh is an avant-garde, expressionistic dance style that was developed in Japan following World War II.
Often used in African dance and music, the call-and-answer structure has one soloist or group perform, followed by another soloist or group performing in response to the first.
A canon is a choreographic tool or structure where movements initiated by one dancer are precisely replicated by each next dancer.
Chance is a method of choreography whereby movements are picked at random or arbitrarily organized to produce a movement sequence or a dance.
To choreograph a dance is to choose, come up with, and put movement patterns and sequences together.
a particular technique for managing movement to create dance choreography (for example, repetition, inversion, accumulation).
The method (such as teacher instruction, group cooperation, collage, or chance) by which choreography is created is known as the choreographic process.
The way that movement is organized and structured to form a dance is known as the choreographic structure (for example, ABA , theme and variations, narrative).
Modern dance style known as “contact improvisation” is centered on improvised movement and weight-transfer between dancers.
A counterbalance is a multiple-person balance in which each individual depends on the others to stay in shape.
Understandings, behavioral patterns, customs, values, and symbol systems that can be expressed in artistic creations and that a group of people have gained, maintained, and passed down.
The techniques, traditions, protocols, and principles specific to a given dance form, genre, or style are collectively referred to as dance practices.
A byproduct of the dance-making process is dance work (i.e., haka, ballet, hip hop performance)
the essential principles of movement; dance (for example, space, time, energy, relationships, body awareness).
A choreographic technique known as embellishment adds intricacy to a move, such as a hand gesture or an arm movement.
Dance aspect known as “energy” that emphasizes the weight, texture, and flow of movement, as in “float,” “swing,” “sudden,” “smooth,” “sharp,” “percussive,” “vibratory,” and “explosive.”
a path that is traveled over the floor (zigzag, curved, straight, diagonal).
a general phrase used to describe a particular sort of dance (such as theatre dance or folk dance); a specific method, style, or genre of dance. form: the choreographic structure or structures that shape a dance production.
genre: a particular kind of dance that has a history or tradition and may be recognized by its traits, social roles, and cultural circumstances (for example, romantic ballet, hip-hop, kapahaka).
In graphic notation, lines and forms are used to depict movement.
idea: a concept in the visual, aural, or kinesthetic arts, alone or in combination.
Interpretation is the process of a viewer analyzing or appreciating the meaning contained in a piece of art, or the specific message that an artist wishes to convey.
level refers to a dancer’s height in relation to the ground (for example, high, medium, low).
Locomotor movement is when the body moves through space (for example, running, creeping, rolling).
meaning: either what an artist conveys in a piece of art or what a viewer derives from a piece of art.
During the choreography process for dance, a movement or gesture can be expanded upon or evolved in a number of different ways.
movement: a collection of actions connected in a recognizable pattern.
a set of movements that are longer than a phrase but shorter than a dance section is referred to as a movement sequence.
Non-locomotor movement is any movement in which a bodily portion keeps the body fixed in place (for example, bending, twisting, stretching).
pathways: The shapes that a dancer’s body or body parts make as they move through space, either in the air or on the floor.
Personal movement vocabulary refers to a person’s unique movement patterns, which can be recognized and developed through improvisation.
Personal space is the “space bubble” that encircles the body and extends as far as it and its parts can go without moving.
Relationships: a component of dance that emphasizes how the body interacts with itself, other people, and the dance environment.
A choreographic technique known as “retrograde” involves performing movements or a motif backwards (like a rewound video).
Reversal: the execution of a motif or sequence’s moves in the opposite order (but not in a backwards direction).
rhythmic: having to do with timing patterns; these timing patterns frequently correspond to the rhythms of the accompanying music (i.e., distinctive combinations of note durations, accents, and silences)
A choreographic structure known as the rondo form alternates opposing sections with a recurrent section (ABACAD, etc.).
Sasa is a Samoan dance in which groups of dancers move rapidly and in unison to the rhythm of split drums, tin pans, or rolled mats.
a set of motions that are longer than a phrase but shorter than a dancing section.
A social text is a piece of art that speaks to the society or culture in which it was created and illustrates the dynamics inside.
The dance element of space consists of level, size, range, location, emphasis, direction, and pathway.
Style is the recognized or distinctive way that a dance is created, transmitted, and interpreted; style is frequently linked to a specific artist, performance group, choreographer, or time period.
symmetry: a dancer or dancers’ creation of a shape with a line of reflection (a mirror line).
taiaha: a wooden Mori spear with intricate carvings, or the art of wielding one.
Te Reo Kori is a program that teaches fundamental movement techniques utilizing tools like poi, rakau, and whai.
Technology include dance props (such as a taiaha, scarf, or chair), electronic media (such as video, computers), and production technologies that are used to help produce, present, explain, document, view, interpret, or learn about dance performances (for example, lighting, costume, sound).
theme: the topic, idea, or subject (such as water, rage, drug usage, a story, or a specific image) on which a dance or a piece of a dance is based.
Any creative or non-artistic work that can be “read,” whether it employs words, images, or sounds, is referred to as text.
Steps, actions, sequences, and methods of moving that may be unique to an individual (as in creative dance) or exclusive to a certain dance genre are referred to as vocabularies (for example, folk dance).
In This Article...
What does dance fragmentation mean?
Fragmentation a choreographic technique in which only a portion of the movement pattern is changed. A movement is divided into more manageable parts.
What are the eight dance choreographic techniques?
These choreographer’s toolsabstraction, canon, motif, contrast, accumulation, repetition, reversal, retrograde, inversion, fragmentation and embellishmentare employed to create dances.
What does dance inversion mean?
Inversion is the movement of the body in space while it is supported by the arms, hands, shoulders, or head. Isolation: The capacity to move one portion of the body while maintaining the motion of another.
What does dance canon mean?
canon
In order to use this technique, dancers must alternately produce a movement that is then precisely imitated and performed by others. unison Dancers must coordinate their movements when using this technique.
What does dancing abstraction mean?
The technique of removing movement from a specific or representative setting and (by modifying it with aspects of space, time, and force) generating a new sequence or dance that preserves the essence of the original.
What are the four types of dance choreography?
Structures for organizing movement are known as choreographic forms, which can be characterized as narrative or patterned (e.g. canon, call and response, retrograde, ABA, rondo).
What does the dancing term ABA stand for?
The second section of this three-part compositional form, known as ABA, contrasts with the first segment. The first section is reiterated in a shortened, expanded, or condensed form in the third segment.